production

& Studio


ABOUT ME

From USC's School of Cinematic Arts, I am a former filmmaker and L.A. production company owner. Now over a decade old Ad Agency veteran I led all U.S. studio operations for DDB North America, fostering significant growth (20% YOY for 6 years), leveraging nearshore/offshore partnerships for top-tier production solutions. I am currently an Executive Producer at Omnicom Studios dedicated to helping a newly unified global production offering by establishing a cohesive approach to delivering exceptionally crafted work for the future of content.


POINT OF VIEW

Holding companies that are creating a data-driven production offerings represent a transformative force in the business landscape, emphasizing that creative content is the most powerful asset a brand can possess today. Over the past two decades, we have witnessed a remarkable evolution in advertising, shaped by the rapid changes in consumer behavior and the ever-expanding digital landscape. Brands now require a diverse array of content tailored for multiple platforms, prompting the swift production of engaging assets. Traditional television advertising has lost its impact, as younger audiences gravitate towards app-based content, leading to a surge in audio-visual advertising across various digital screens.

Having closely observed the rise of creative content production within holding companies, it’s clear that these organizations have redefined the way brands engage with consumers. To remain competitive, they must be agile and responsive to the evolving needs of brands and their audiences. While some critics argue that the focus on quick turnaround and budget constraints can compromise quality, I contend that these companies have become key players in meeting the demand for high-quality, crafted content that resonates with today’s consumers.

As brands increasingly recognize the effectiveness of innovative, cost-efficient content strategies, holding companies are perfectly positioned to harness their vast user data and technological resources. This ability allows them to maintain quality while keeping production costs manageable. As budgets tighten, the challenge of creativity may seem daunting, but it often spurs innovation, enabling creative professionals to produce exceptional work within tighter constraints. Holding companies can tap into a diverse pool of creators, ensuring they deliver content that strikes a balance between originality and consumer engagement, meeting the high standards brands expect.

At its essence, the advertising production industry is fueled by creativity, collaboration, and an acute understanding of client needs. Holding companies that embrace flexibility and remain in tune with market dynamics can differentiate themselves by offering unique value through strategic partnerships with brands. This adaptability is crucial in a landscape marked by constant change.

Ultimately, the landscape of advertising production is not just about the increasing quantity of content; it is about cultivating an ecosystem that champions collaboration and creativity. As the industry continues to evolve, embracing these shifts presents both challenges and opportunities to inspire innovation and craftsmanship in content creation.


HISTORY

I am a true creator at heart, driven by the excitement of crafting short-form creative content. My journey began in childhood when I entertained my family by creating absurd parodies of popular ads and movies, all captured on a stylish VHS camcorder.

After honing my skills, I earned admission to NYU’s Tisch School of the Arts; though, I ultimately traded the Big Apple for Los Angeles, enrolling at the University of Southern California’s prestigious School of Cinematic Arts.

After graduation, I co-founded a production company called WinterGass with my partner, Kyle Gass, from the self-proclaimed "greatest band in the world," Tenacious D. I dove into a wide array of diverse projects, occasionally working for The Barbarian Group during the onset of digital platforms.

After spending a decade in Los Angeles, the allure of New York City brought me back. I joined Grey, the Ad Age 2014/15 Agency of the Year, where I directed and produced dynamic full-up spots, quick and roughs, and vibrant social media videos for Grey's impressive roster of brands.

In 2017, I embraced a new challenge at DDB New York, where I helped launch their in-house production offering. I grew to be fortunate enough to manage a talented team of artists and producers across DDB North America’s offices in New York, Chicago, and San Francisco.

Eventually, as Omnicom consolidated its operations, we unified all production under a newly established global offering, creating a cohesive approach to delivering exceptionally crafted work. Today, I help lead the Omnicom Studios team, focused on producing well-crafted content at scale for the masses.

As a positive and enthusiastic coach, I am always ready to jump in and contribute directly. I lead with empathy, championing craft, diversity, equity, inclusion, and radical collaboration at every step of the process.